Vanity Fair reported on Friday that Louis-Dreyfus was actually meant to make her debut as the Contessa in “Black Widow,” but the pandemic made quick work of those best laid plans. At least, that’s who she is in the comics. Hopefully, you were not spoiled in advance that Marvel Studios has tapped the Emmy-laden star of “Veep” and “Seinfeld” to put a streak of metallic purple through her hair as the enigmatic SHIELD agent-turned-Madame Hydra. So let’s get to them! Who is Contessa Valentina Allegra de Fontaine? It’s one of several questions “Truth” raised - we haven’t even gotten to the shocking appearance of Julia Louis-Dreyfus as a Marvel villain! - and with only one episode left to go, there’s not much runway left for answers. Witnessing the new Captain America, John Walker (Wyatt Russell), murder a man using Cap’s shield, however, finally forces Sam to directly address the question that he - and the show - have only glanced at all season: Can a Black man ever become Captain America? Even Sam’s motivation for stepping back from the mantle of Captain America has remained just out of reach, as if Sam himself didn’t quite understand it either. Throughout the season, Sam has always strived to be the good guy, but as a character, he’s also been a little recessive, reacting to the actions of others rather than commanding the narrative himself. It’s still unclear exactly whose perspective the show ultimately favors - if it favors any at all - but in “Truth,” the penultimate episode of the season finally turns its attention back to its lead title character, Sam Wilson (Anthony Mackie). Bucky (Sebastian Stan), brainwashed for decades as a brutal assassin, grapples with reconciling his actions with the man he desperately wishes he could be. Karli (Erin Kellyman), a forgotten person who thrived during the Blip, believes her new superpowers will even the scales in world rigged for the powerful. Sharon (Emily VanCamp), abandoned after doing the right thing, now believes the hero gig is a dumb joke. Zemo (Daniel Brühl), his family killed due to actions of the Avengers, believes superpowers are all-corrupting in all cases. However, when Black fans wrote to Mark Gruenwald to explain the name "Bucky" was racially charged, Gruenwald worked it into the storyline and had Hoskins choose the codename of Battlestar instead.That ideal is something “The Falcon and the Winter Soldier” has been attempting to interrogate through several different characters this season. When Walker was deemed the new Captain America, Hoskins was asked to work alongside him. the Buckies, in order to generate more public support for Walker. When Walker took up the guise of political agitator Super-Patriot to stir up public opinion against Captain America's old-fashioned ways, Hoskins staged fake attacks on Super-Patriot as part of the "Bold Urban Commandos," a.k.a. military and, after leaving the service, Hoskins underwent the same experiments by the Power Broker as Walker, gaining powers of his own and using them to become a pro wrestler. He and Walker served together in the U.S. Just as John Walker acted as a dark mirror for Captain America, Hoskins acted as a warped version of Bucky Barnes. First, he irritates Sam by admitting they tracked the pair of them by following the drone Redwing's GPS, then he annoys Bucky by pointing out until he and John showed up, Sam and Bucky were " kinda getting asses kicked." Everything he says is the truth, but his bluntness isn't endearing him to the two veteran Avengers.Ĭreated by Mark Gruenwald and Paul Neary, Lemar Hoskins made his first appearance in Captain America #323 in November 1986. Unfortunately, he doesn't fare any better with Sam and Bucky. Later in the episode, it's revealed he wasn't just there to be Walker's emotional support as a friend he also will join him on missions as Battlestar. All of it is," when Walker vents about " just wanting to do the job," which he solely sees as missions. It's clear the two of them have a long history serving together in the military, and it's equally clear that Hoskins is the more pragmatic of the two, understanding that the role of Captain America is as much about PR as it is about battle. As Walker prepares for his first major public speaking appearance as Captain America, they share a quiet moment in the locker room serving as the green room: no flashy costumes and no flashing camera bulbs, just two soldiers in their military fatigues. When Lemar Hoskins is introduced, it's in a more intimate scene that sets up the nature of the dynamic he has with John Walker.
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